Look through Fleshbot’s archives and you will see that there’s porn for everyone—even viewers who dig watching people have sex uncomfortably. Not the delightful Krissy Lynn, zesty cover model of “She’s So Anal”; in fact, we are happy she puts her best ane forward.
Lynn is sassy and full-bodied, like a box of wine you want to put your dick in, if that is even possible with my basic Costco membership. In the little tease that precedes her scene with Alex Gonz, Lynn seems like the ready-to-go bridesmaid during the summer all your friends got married or the frank girl in the pit at the Kentucky Derby.
Lynn is neither a petite and machine-crafted piece of porn jerky nor a clawing, spitting sex wraith. Instead, she presents as both soft and competent; you don’t want to wait for her top to come off.
And indeed it doesn’t. Director Mike Quasar seems to have made the decision that consumers aren’t interested in Lynn’s midsection, which may not be so taut as to bounce quarters off of.
But it’s not quarters we want to bounce off it.
The gestaltist view of Krissy Lynn, then, is that she is Greater Than Anal, because I was never so intrigued with the rectum as a hole.